In between the grey concrete buildings, on the asphalt road, among parked cars, a poor chariot, pulled by a skinny, tired, slow pace horse. In front, handling the whip sits a young Gipsy man, who shouts at equal intervals:
- C'mon 'n get watermelons, watermelons!
His son, not older than ten and looking not more than 5 echoes his voice immediately:
- Melons, ons!
I haven't seen them selling any and yet they return every day. Every time i hear this picture of Sisific poverty my eyes go into tears...
I ran after the bus because it was an express taking me directly to the metro station. Saves me 5 minutes in comparison to other buses, and the trouble of going on foot through the sub-passage. Once up, looking around me, i notice a girl hugging a white, big dog that wears a red t-shirt and a metal handle. She's blind...
Blind. Carrying a backpack and a white stick in her hand. Smiles and whispers her love to the dog, who takes it and returns it in its own way, licking her hands. Warmly.
This picture is a knife to my heart. The girl is, like most Hungarian women, incredibly beautiful. But she will never know it. She won't ever sit in front of a mirror witnessing her pretty face, checking it for flaws. She will never see those complementing her. She'll have to take their word for it. She won't ever see the beautiful blue sky or the gold color of this sunmer sun. She will only feel it, thus being more aware of their presence than most of us. Her life is pure perception, a permanent touch and constant trust - in both humans and animals - a life that we, those who see, are unable to live. Paradoxically, though better fitted and equiped, we live less and we're more scared. More estranged. More alone.
All these pictures in my head... The illusion of imortality of a passed moment, of something already dead and gone. Camera altered memories. A fake smile, a fake kiss, a fake pose. Amer-indians were afraid that when pictured their soul was stolen. But they couldn't be more further than the truth. The picture stole nothing. It was empty. Meaningless. Not even a shadow, but a contour.
That old man looking through garbage for food, sipping the lost drops of a Starbuck's coffe cup. In that image i followed her when she ran after him to give him some money for a meal. She returned crying the blue ocean drops that were her eyes. She saught cover in my arms, unable to really hid her from the horror of this world. I loved her then more than ever, not for her gesture but for her immense empathy, for her huge embracing heart. Who's able to cry for others nowadays?...
Our cameras are now only turned towards ourselves...